Anime Questions, Recommendations, and Discussion - December 28, 2025
This is a daily megathread for general chatter about anime. Have questions or need recommendations? Here to show off your merch? Want to talk about what you just watched.
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# Recommendations
Don't know what to start next? [Check our wiki first!](http://www.reddit.com/r/anime/wiki/recommendations)
Not sure how to ask for a recommendation? Fill this out, or simply use it as a guideline, and other users will find it much easier to recommend you an anime!
*I'm looking for:* A certain genre? Something specific like characters traveling to another world?
*Shows I've already seen that are similar:* You can include a link to a list on another site if you have one, e.g. [MyAnimeList](https://myanimelist.net) or [AniList](https://anilist.co).
# Resources
* [Watch orders for many anime](http://reddit.com/r/anime/wiki/watch_order)
* [List of streaming sites](https://www.reddit.com/r/anime/wiki/legal_streams) and [find where to watch a specific anime](https://www.livechart.me/search)
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Commentaires
Also RIP Haruhi fans LMAO
For anyone who‘s not familiar, Ruri Dragon first came out back in 2022, ran for 6 chapters before going on break for almost 2 years. During those 6 chaps it exploded in popularity, doing insane numbers on Manga Plus, which also helped it coming back as easily as it did after such a long hiatus with this few chaps behind it.
I read the chaps as they released before the hiatus and the next 3 after it continued, but put it on-hold since. It doesn’t really reinvent the wheel or anything, it’s still mainly just a school SoL with the gimmick of having an MC who‘s half human half dragon so she has to deal with stuff like randomly breathing fire in class. It is extremely well done for what it wants to do and KyoAni is honestly the perfect fit for it, it’s gonna be fantastic.
Not just on MangaPlus. Iirc Volume 1 was the best selling first volume of a new release since MHA.
I didn't think we'd get more Haruhi but its sad too, since I just watched the "Disappearance" movie before Christmas and that was quite good. I'd love for that series to continue too...
>
>
>
> I didn't think we'd get more Haruhi but its sad too,
That's still on the table it's just less likely to have KyoAni involved after this news.
[](#awe)
[](#grandhype)
I just stumbled onto Carol & Tuesday. It’s on Netflix, and I’m only a couple episodes in, but I’m absolutely blown away. I’ve never even heard of this show before. It has virtually no reviews, and the few threads I found from 5 years ago barely had any comments or upvotes.
That first song, The Loneliest Girl, left me frozen. I wasn’t expecting anything like that. I was just browsing for some mindless anime and stumbled onto something.. amazing
Has anyone else watched it and feel like it’s a hidden masterpiece buried in the Netflix catalog? Go listen to that song somewhere if you want to get an idea of the vibe the show has
I liked Carole & Tuesday, but more of the first part than the second. It was apparently set in the Cowboy Bebop universe, but there were really no visible references beyond some of the locale names and the currency used, I think. The whole AI generated art theme is quite relevant for today's world, however.
For some context, the show didn’t get much attention on release because Netflix was dumb. They batch released it months after it aired (which is what they did a lot of back in those days, hence the term “Netflix Jail”) to little fanfare, so people were unable to partake in the full glazing ritual that shows get across a full season in order to build up interest in the show.
If you want to know why Netflix started moving away from this model of release, C&T is partially responsible, since they kept “killing” shows that should have been hits and people basically stopped wanting to work with them.
> My king, I kneel.
> Thank you for bringing all of my favourite dragon girls to life. The world is a prettier place thanks to you.
> May your shoes be warm and your bed be comfy until you fund every dragon girl adaptation.
> - A fellow dragon girls lover.
[](#feelingloved)
That's literally a third of her credited roles ever lol.
But look at Suzushiro Sayumi's doing for next season. She'll play a whopping [5 main roles](https://myanimelist.net/people/48122/Sayumi_Suzushiro).
[](#kukuku)
Vagueposting about the ending (unfortunately) might not break the rules in news/OM posts, but it *does* break the Source Material Corner rule if the complaining is happening outside of that in Episode threads, and I am not going to sit around and let that happen.
[](#tch)
- Music fans might be interested in [Shiboyugi](https://myanimelist.net/anime/59711/Shibou_Yuugi_de_Meshi_wo_Kuu). They got the composer of Ancient Magus’ Bride to do the show’s soundtrack. ([Teaser PV](https://m.youtube.com/watch?v=9qGxpihfOgg))
- To my fellow Hayamin fans, I strongly recommend checking out [Tamon’s B-Side](https://myanimelist.net/anime/59047/Tamon-kun_Ima_Docchi). Is it just me or is she getting even better at voice acting? ([PV](https://m.youtube.com/watch?v=GIOzUu_oRec))
- I generally like villainess anime, but [Villainess is Adored by the Prince](https://myanimelist.net/anime/62000/Akuyaku_Reijou_wa_Ringoku_no_Outaishi_ni_Dekiai_sareru) feels even a bit too generic for me. On the plus side: [Villainess Adored - PV] >!I did spot a proper kiss!<. ([PV](https://m.youtube.com/watch?v=xzvQZMuH74w))
- [If Sentenced to Be a Hero](https://myanimelist.net/anime/56009/Yuusha-kei_ni_Shosu__Choubatsu_Yuusha_9004-tai_Keimu_Kiroku) is truly this amazing of a heavy action drama, it has the potential to be hugely popular. I can honestly see it beating out even the likes of Frieren in terms of seasonal popularity. ([PV](https://m.youtube.com/watch?v=GcRs1JC7xeg))
Was already going to watch this solely for the Gimai Seikatsu director, but learning about its composer here is a nice bonus.
> I generally like villainess anime, but Villainess is Adored by the Prince feels even a bit too generic for me.
As someone who *dis*likes villainess anime in like 9 out of 10 cases (but still at least checks out most of them anyway for reasons I don’t really get myself), I was planning to give this a couple eps, but reading this has me even less hopeful I‘ll stick with it, if even a villainess fan like you has his doubts lol.
> Sentenced to Be a Hero
The only way this show can shoot itself in the foot at this point is if it has weird narrative shifts halfway through or illogical plot developments or something. The production quality on ep 1 was honestly insane and easily movie quality and with the leaks of it already having completed production, it’s safe on that front all the way through. Would easily be topping the karma rankings if winter wouldn‘t be as stacked as it is, but has nevertheless still a shot at it regardless.
> but reading this has me even less hopeful I’ll stick with [Villainess Adored]
Most villainess shows got an interesting or fun hook in some way, but this particular series seems to be mostly about the “villainess” getting doted on from first impression.
Possibly the first of its kind that I’ll end up skipping on.
> if [Sentenced to Be a Hero] has weird narrative shifts or illogical plot developments
Or a complete production meltdown, but that’s unlikely given the rumours. If Sentenced to Be a Hero delivers for its entire run, I cannot see myself rating it below a 9/10.
I mean, she seem to be growing with time, and she seems to be doing better if the roles allow her to express more emotions instead of just a "yamato nadeshiko" type character.
All the more reason to check out The Holy Grail of Eris next season. Jokes aside, I’ve been following Twitter updates from the official Villainess is Adored by the Prince account, but somehow slipped under the radar that it’s also airing in Winter. I genuinely thought it was a Spring anime. The character designs are super eye-catching and remind me of Who Made Me a Princess.
What fool played around with the monkey’s paw to get so many absolute dime adaptations being announced these last few days?
Get used to it. This isn't going to go away.
Even B tier WSJ slop titles like hell's paradise or kaijuu #8 get 5x-10x the views of basically every ecchi show that gets released.
Like, who even asks for more Hells paradise?
But no, I was HP's strongest hater before I was SxF or DanDaDans strongest hater.
[](#cultured)
First time I regret leaving certain communities, really wanted to see their reactions
[](#curious)
I don't think i can give you enough context to understand the funny part without a 3 hours youtube video starting with the cultural implications of some ancient civilizations worshiping their idealized versions as gods, then moving to the anime boom in the pandemix, the 2020 to November 2023 discourse about anime industry monetization, the segmentation of anime fans in microcommunities, the increased aggression between older x newer fans, the rise of shonenbros, the rise of studios having their hardcore fandoms, the counter movement of the sakuga community, and so on
Kyoani-Shaft wars were all over the fandom in the early-mid 2010s, it's not a new thing. But yes, there's lots of seething from long time Kyoani fans as well for apparently selling out by adapting WSJ slop
[](#thoughtful)
Never heard of this series until I watched the first episode and wow... its like if Batman was a Mecha series, filmed film noir style (which to be honest, isn't very far from the typical Batman portrayal...) Aesthetics somehow remind me a bit of the nineties Batman cartoon, though far more realistically portrayed. And an instantly appealing Android female lead(?) too? I hope this series holds up... looking at the release schedule there seems to have been some weirdness since it is a single season series that was released from 1999 to 2003, with multi year gap between the cours. Did Bandai run out of money or something?
From what I recall, the series was not that popular in Japan and the second season was only made on behest of Cartoon Network.
It's not a single season series, MyAnimeList is just weird because they merge certain series that were released as different seasons in a single entry when those shows are older than the website itself. Besides The Big O, which originally had one 13-episode season in 1999 and then another years later, produced with Cartoon Network backing, as the other person pointed out, something like the original Cat's Eye was also released as two different seasons, with a literal director change between then, but they only have one entry on MAL.
That shit pisses me off and they seem to be too stubborn to change anything. My favorite example is [Megazone 23](https://myanimelist.net/anime/1935/Megazone_23) being a single entry despite it being obvious to anyone who's watched it that the 3 parts are very distinct from each other, not even sharing character designers or directors.
Then there's Towa no Quon which is a [1,](https://myanimelist.net/anime/10294/Towa_no_Quon_1__Utakata_no_Kaben) [2,](https://myanimelist.net/anime/10713/Towa_no_Quon_2__Konton_no_Ranbu) [3,](https://myanimelist.net/anime/10714/Towa_no_Quon_3__Mugen_no_Renza) [4,](https://myanimelist.net/anime/10715/Towa_no_Quon_4__Guren_no_Shoushin) [5,](https://myanimelist.net/anime/10716/Towa_no_Quon_5__Souzetsu_no_Raifuku) [6\(!\)](https://myanimelist.net/anime/10717/Towa_no_Quon_6__Towa_no_Quon) part movie that was clearly a single production all released in 2011, but each part has a separate entry. So stupid!
basically they can do whatever they want because they have *too much money*
It used to be my uncontested #1 harem anime, but now I hesitate between this and 100gfs. (So, at least #2!)
I don't have any strong opinion between anime and manga... I'd rate them about the same.
But the anime does have some great emotional moments that are made stronger by the OST/voice acting and all, so maybe I'd go with the anime! (I think sometimes the art in the manga is better though).
When evaluating the best anime of a given decade, how important do you think it is to only consider the parts of that anime that actually aired in that decade?
The big example of this being relevant is (I guess rather obviously) *One Piece* which only aired about 12 episodes before the new millennium. Now the series obviously went on to run for way longer, but should the 1000+ episodes after that really be all the relevant if I'm interested specifically in the best anime of the 1990s? I mean when people were making "Best Anime of the 2010s" videos and lists back in 2019-2020 they obviously weren't able to see what future seasons had to offer, and someone making a similar list in 1999-2000 would have likewise not been afforded that degree of foresight. So is it better to maintain that sanctity and keep it consistent across all decades or is it fine to factor in "legacy factor" when evaluating a show in hindsight.
I guess I should also clarify that when I mean "Best" anime of the decade, I'm not necessarily meaning it in the sense of being "most important/influential" and more some degree of "in a vacuum" qualitative sense.
For me, the later parts of a story that build really well from a good foundation are stronger and I'm more likely to rate it highly if I already have an attachment to the characters. On the other hand, if the quality of the story declines after the seasons in question, then it makes the entire show weaker in my opinion, and I'd be unlikely to include any part of it on a "best" list.
I mean yeah, I’m just curious how others would handle it or their thoughts on the matter.
> But I would put One Piece in the 2000s era over 1990s
I would too, but there are still quite a few lists out there that evaluate it as a 90s series (and almost certainly throw 2000s content into that evaluation, but that’s a rant for maybe another day).
For something with seasons in multiple decades, I'd usually only consider the first season as qualifying for such a list and would ignore sequels - I'd be annoyed if someone referred to the second season of a 2000s anime as 'the best 2010s anime', and likewise if someone called it 'the best 2000s anime' in virtue of the quality of a season that aired in the 2010s. A possible exception to that would be if the sequel was considerably different from the original (eg. a different creative team who does something very different with it) and so could be judged as a separate thing.
12 episodes aired in 2009 and 100 episodes aired in 2010?
- Are the 12 episodes of 2009 better than anything else than aired in 2000-2009? 2000's AOTD
- Are the 100 episodes of 2010 better than anything else that aired in 2010-2019? 2010's AOTD
One Piece is also sort of a special case or outlier in this regard so it might not be a great example to use in the context of your curiosity.
[](#awe)
A quintessential, must watch CGDCT that is one of the most influential shows...or at least it was like a decade ago. Lucky Star is as basic as it gets, its 4 girls that yap about random stuff that happens in their daily lives annnnnd, yeah that’s pretty much it.
The positives are that the humor is still largely good. Kagami and Tsukasa despite not being novelties are very fun, and how to forget Lucky Channel, a segment that I feel enjoy more with every passing watch. Akira is insane, shitty and therefore great, and her final skits are absolute gold. This is actually a kinda unique aspect of the show so credit where credit is due.
And probably the episode that most singlehandedly raises my opinion of an anime on its own, episode 22. A real tearjerker right there, being [the one where]>!Konata’s mom visits her family.!< Just pure joy from that one.
Now, Lucky Star is now more commonly talked about in regards to anime that is being slowly forgotten by the community, how tragic its fall is and that it is still a must watch classic. I wasn’t in the community at the time of its peak popularity, though I can say that it was big enough that I got wind of it around that time despite not being into anime myself yet. From what I can remember, it seemed that Lucky Star rose to prominence thanks to its more “relatable” protagonist Konata, her pride as an otaku and the general shilling of this culture.
Rewatching it now though, I gotta say Lucky Star is a bit dated, and this is a take that I already had when I talked about it as I entered the community and was called heretic scum. Like so much of Konata’s character really is like ‘aren’t I a huge otaku, look, I game and love Haruhi’. After having a bajillion otaku protagonists, it no longer feels as funny or relatable. Don’t get me wrong, Konata is still fun when she teases Kagami and the like but so much of the humor revolve around [soyjak pointing](https://preview.redd.it/fnnuohi0u7h71.png?width=971&auto=webp&s=4fc649f93cfc0870e6bd52b496071080116e1abb) that it falls flat often (the clerks were never funny). Oh, and I mentioned Haruhi, don’t get me started on the self-masturbatory references to Haruhi. Like I know it was also huge at the time but do we need a visual reference every 5 minutes?
But hey now, ALL of this rambling btw is just a minor pet peeve, these are just my two cents on why Lucky Star no longer feels like a must watch in the year of our lord almost 2026. A take that can be pretty hot among older fans. Now I feel it is not very different from any other CGDCT, there’s K-On ofc, something like Bocchi or Non Non Biyori I would also recommend before it. Lucky Star remains a quality show that I would still recommend but just not as the must watch, gateway anime lots of people still try to talk it up as.
So yeah, I may not be as high for it as some older fans are, but it is still a fun show. 8/10, the OVA is even better. I was rooting for the Kyoani announcement to be a Lucky Channel anime but c’est la vie.
As a gateway? No.
I'd consider it more of the endpoint of the gateway and that can be more fun and fulfilling to recommend.
As someone who watched it for the first time a year or two ago, I think it's very much a "you had to be there" kind of anime. It wasn't bad, but it did feel a bit like an anime Hollywood Steps Out for the 2000s sometimes.
i think at the time you didn't even need to have the "cute things" part of the now common "cute girls do cute things" genre, with shows like Azumanga Daioh which first got me into the slice-of-life genre; it was enough to have a relatively stress-free show with just a few girls chatting about random stuff
i think nowadays titles use a hobby like music or club activities to differentiate themselves from the crowd, but with shows like See You Tomorrow at the Food Court, having characters with interesting chemistry is still a winning formula
whether or not Lucky Star has interesting character chemistry is debatable (i do think it does lean towards pop culture references more); i don't really have a strong impression of their character relationships, but that could just be my memory having been eroded since the last time i watched it
> Like I know it was also huge at the time but do we need a visual reference every 5 minutes?
i don't remember it referencing Haruhi a lot; there was a few episode where they do the cosplay cafe bit, but i don't remember much outside of that
this bit reminds me of watching Mono after having watched Yuru Camp; there are fun bits which reference the other series, but i think there's enough non-Yuru Camp content to keep you entertained (if you're into travel and food)
Lucky Star had an outsized impact in the western fandom largely because it was simply what KyoAni was doing instead of the Haruhi Season 2 everyone was desperate for, but also because it was the first encounter a lot of people had with moe slice of life shows. And oh baby, that chocolate cornet started a *stir*.
I'm sure the moeblobs will *finally* kill anime dead soon, so that glorious MANime will return to us. Or something.
A lot of the references in Lucky Star were already rather dated, or were things you would have expected a contemporary otaku to enjoy or know about (Comptiq is for Nerds, after all). Stuff like Full Metal Panic, Marimite, Code Geass, and yes, Haruhi. It really doesn't reference Haruhi *that* often, all things considered, but it would have also been dishonest for it to avoid it. I don't really view this as a failing, though, as it comes with the territory that it will become aged. I can't really fault Genshiken when I read it and see a bunch of Gundam, CLAMP, and Street Fighter stuff all over the place.
(I feel the focus people put on the references miss that they are mostly flavoring for the cute girl slice of life stuff; more often than not, the joke is at Konata's expense for being a nerd saying something nobody around her understands, or if Kagami happened to get it, the fledgling fujoshi getting angry or embarrassed about it.)
I suppose the Cat's Eye ED parody is somewhat more timely these days than it was back then, though.
That said, I largely agree. Peel back its importance to the scene, and you're left with a mostly fun slice of life show that also functions as a little time capsule of a time long gone by at this point. It doesn't really *need* to still be popular now that the generation it was made for has grown up.
ACTION
- Demon Slayer 9.5/10
- Sakamoto Days 7.5/10
- Hunter x Hunter 8/10
- Kaiju no.8 8.5/10
- Frieren 9.75/10
- Solo Leveling 8/10
- Fire Force 7/10
- Naruto 10/10
- JJK 10/10
- Black Clover 9.75/10
ROMANCE
-BlueBox 10/10
-My dress up darling 8.75/10
Horimiya 6/10
-Oregairu 7/10
-Morethanamarriedcouplebutnotlovers 9.5/10
-Bunny Girl Senpai 10/10
-The Angel next door spoils me rotten 10/10
-Toradora 8.5/10
-Quintessential Quintuplets 9.5/10
-Love is War 8.75/10
- My love story with yamada 7.5/10
- The fragrant flower blooms with dignity 10/10
- Apothecary Diaries 10/10
- Call of the night 7.5/10
- Relife 9.25/10
- Fruits Basket 8.5/10
- Golden Time 5/10
- Kimizero 6.5/10
-Chitose in a ramune bottle 6.75/10
- Pet girl of Sakurasou 9/10
- Irina the Vampire Cosmonaut (watching)
ROMANCE & ACTION OR NONE
- Haikyuu 10/10
- Sword Art Online 9.5/10
- Kuroko no Basket 9.5/10
- Cyberpunk Edgerunners 9.75/10
Hopefully I won't have this problem going into True Tears and ef later.
but denpa onna OP is such a banger (it's literally the only thing i know about it)
[](#seasonallisten)
[](#tiredaoi)
And also the [](#throwsalt) and [](#punch) cultures.
Personally, I enjoy participating in all of them especially the [](#lolifightsback) culture.
[](#ohoho)
But doing something about that means enforcing a strict no empty comment faces rule, and idk if anyone on old reddit wants that.
[](#mug1)
A small, but active percentage of people here
So you all [bullied](#nobully) me into changing, so I'd say they were used successfully [](#azusalaugh)
[](#kannathumbs)
[](#bigthink)
You will get to fill your reaction folder with things like [this](https://cdn.imgchest.com/files/430eef03c4a9.jpg) or [](#seasonalthink)
[](#mischievous)
But 20 years from now, people will say Gushing over Magical Girls was the most influential anime in history.
LiveChart states that there won’t be an episode next week, however.
My guess is CR contract is can only be shown after its shown on TV Japan and while it technically started showing, it didn't finish showing. It's fairly unprecedented event, it was recalled so likely no further action.
My main comments this time around are going to be for Trigger's short YouTube series **The Lenticulars**. It's an unassuming pick, a fairly plain, low-stakes high school romance drama with about an hour of runtime, but I'd say the main draw comes from the touch of director Akira Amemiya. To compare it to his previous works, it's something of a marriage between the voice direction of Gridman and Dynazenon and the limited animation of Inferno Cop. The... unique finale seems to imply a continuation planned for the future, and I'm definitely interested in seeing how the new developments play out. The YouTube channel also posted a fun little [Behind The Scenes video](https://youtu.be/D2GjGzNQkBs?si=5_QuubNtPE2AdKPG) on the making of the series, which does include some scenes from the show.
Aside from all that, sequels for Sanda and Ranma chop-chop please and thanks.
**Continuing**:
* Frieren
* Watanare (5 episode special)
* GNOSIA
**New**:
* Journal with Witch (Ikoku Nikki)
* Sentenced to be a Hero
* The Darwin Incident
* The Invisible Man and His Soon-to-Be Wife
* You and I Are Polar Opposites
* ALL YOU NEED IS KILL (movie)
I think Sentenced to be a Hero is the most sure-fire new show for me, but the subject matter of Journal with Witch looks like it has a lot of potential.
It's actually super exciting to see KyoAni work with Shounen Jump. For one, it calls back to their earlier years working on series like Inuyasha, but it also gives so many more opportunities to find interesting shows. There are a lot of gag manga and slice of life series in Jump like Ruri Dragon, it opens a whole new array of stories they can work with. And since they have the clout to top their own committees, it's an easy avenue to high success for them. Hell, maybe now the shounen bros will become obsessed with KyoAni the way they did with Ufotable. This does mean we're one step closer to KyoAni getting a true action show, but idk if I trust them to not bring another Phantom World or Munto. But between this and Jaadugar, anime is saved yet again.
And as much as I’d like the Shounen Bros to simp for KyoAni as hard as I do, they’re just not an action studio quite like Ufotable was. The best you’ll get out of them is “this one show is good, but the rest of the cute girls and their tea is bad”, or worse “why is KyoAni spending all this effort and budget on garbage pedo gooner bait when they should be putting those resources into a big Shounen title”.
Doga Kobo was already taken from me. After pumping out peak after peak after peak with UzaMaid, Wataten, Dumbell and RPG Real Estate - they've not been allowed to work on any cgdct since. It's the greatest loss the anime industry has experienced recently.
You just can’t have a studio whose releases are structured in the way KyoAni’s has been. Tentpoles are the name of the game. You can’t stay viable in a world where your one show for the year is “I Can’t Believe It’s Not *Nichijou*” and it only does moderately well.
[](#mugiwait)
Episode 11, never forget.
[](#unsure)
I’m still bummed that Doga Kobo stopped making Yuru Yuri and it got passed to TYO Animation. Luckily, the quality didn’t drop, but it’s a shame the studio shut down. Passione did a solid job with Oomuro-ke. I just hope more studios are still into CGDCT. I desperately need Yuru Yuri Season 4.
That's a good point. I don't often think of action scenes when I hear the name KyoAni, but I love FMP and TSR has some great mech battles.
I'm not mad about it, but I honestly can't understand being *excited* about a top tier studio known for ambitious adaptations of lesser-known works adapting something from the single most overexposed manga magazine in existence. That's like being excited for more football.
Also, a lot of people are excited for more football, lol. I don't like sports but I think I'm in the minority for not being excited for more football tbh.
They're KyoAni. Why not pick something novel from an artsy shoujosei magazine like Feel Young, or rummage around the various seinen magazines publishing beautifully drawn and creatively told stories, or even look for a lesser-known shounen magazine? More WSJ is just kinda whatever to me.
**Edit:** Also, if anything, this is greater exposure and success for KyoAni, WSJ is the bigger company giving them exposure. KyoAni only works with companies if they are allowed to top the production committee. That means that if a WSJ manga is very popular and KyoAni makes an adaptation that gets popular with the marketing backing of WSJ, they see most of the fruits of that success. I think that, from a business perspective, this can only help KyoAni. The more successful their relationship is, the more resources they'll have to adapt more personal or artistic projects.
Probably because anime production is, in some ways, a zero-sum game. The moment a studio that normally don't do a lot of works is busy with something, they literally cannot work on something else till they're a bit freer. Sure, maybe after Ruri Dragon KyoAni could do some shoujosei, but that would be years in the future and it's literally just an hypothetical, there's no guarantee it will happen, so it makes sense to be disappointed as there's no "both" happening right now.
I say this as someone who's neither over the moon, nor disappointed, with this current news (my ideal KyoAni would be one doing original [so no FMP] mecha anime), but I can see where Ridley's coming from.
It's not like people were expecting Colorido out of all studios to tackle the Bleach-adjacent Burn The Witch, so anythings possible lol. Though ofc the chances are slim.
Or more racing, which is why the idea of the "winter series" exists, like the A1GP in the mid-2000s or the recent "Winter Series" events for lower open wheel categories and GT cars.
dont you put this evil on me ricky bobby
but its probably Ishihara who had very primary interest in this given his otaku tendencies
Ishihara makes sense, but I feel like it's hard to say. Will have to wait for the staff release and see who they've got in common. It's just fun that someone with clout over there is using his influence for good.
On the other hand, I'm surprised how positively this was received by some sakuga people I know. I would have bet that their reaction would have been 'I can't believe Kyoani is doing shounenslop now'.
That said, I don't have twitter, maybe its a different story there.
Now that I’m about 1/100th of the way through OP, when does *One Piece* get good?
Jokes aside, when did OP reach its “untouchable” status as “one of the GOATs” that it seems to have now? Like I’ve dabbled in modern OP and have now dabbled in classic OP. 12 episodes in and the most I can say is it’s a fairly standard intro arc. Now I’m more curious as to where people think OP crosses that threshold and becomes the series everyone knows it today. In other words, what is OP’s *Frieren* Ep. 4 moment.
I’m fully committed to the bit (for now), but this question is going to eat at me if I don’t get some kind of answer.
I’m well aware. I’ve seen the pace graphs. I’m committed to the bit.
It's the climax of the East Blue Saga, the point where the core Straw Hat crew (Luffy, Zoro, Sanji, Usopp and Nami) is fully formed and cemented as true companions, the first big "liberation" type arc that will become a series staple, the first arc whose villain is directly linked to its main emotional core, and the first arc with significant impact to the world (even if the scope is still limited)
I haven't been around at the time, but from talks with One Piece fans who are up to date (so not me who's currently at the start of Punk Hazard) my estimate is either the Water 7 + Enies' Lobby or Marineford was where OP fully cemented its status. It already was a top of popularity polls battle shounen before them of course, but I think those two are the steps up it needed to push itself into all-timer territory for a lot or fans. They're where OP shows how well it uses the scale of its story, both in terms of raw length and the amount of characters + places it sets up,
Arlong Park is the early spike in getting people invested since [OP] >!it's the part where the Straw Hats start to feel and act like a crew!<, which is a great arc, although idk if it on its own really shows what OP is made of. Or maybe that is more comparable to Frieren #04 as the major hook for most of the Audience. Meanwhile the other two I mentioned may be more comparable to the likes of [Death Note + Code Geass big spoils] >!L's L and Lelouch's ending!<.
In the 2000s I felt you were either Bleach or Naruto team, with One Piece being minor. You just didn't see that one talked to the extent the former two were. Imo it is because One Piece is much more about adventure while the others are more action-packed, and what we call now 'having aura'.
It was considered good, but not GOAT status. Kinda like how MHA was viewed once Yaiba or JJK came to the picture. A tier below. Like just look back on the multi-part fansubs uploaded to youtube, the cosplays, the videos of weebs bring cringe, the memes, the AMVs. They were always Bleach or Naruto.
And again, this was just my personal perception and probably really biased because I only started to talk at large with the community just as Bleach and Naruto were ending.
It wasn't until COVID (like with most things) where Shounen started to blow up again, a lot more people got into anime/*One Piece* and it was perfectly primed capitalize on the global pandemic. This was also the time when OP was starting to take its production more seriously, and it seemed to be an easy "high ground" to take in the Shounen Wars as the last entry from the last gen still kicking.
I can say though that there's definitely a change in the series somewhere between these early episodes and the present in how it presents itself and adopts the reputation its known for. I was just curious where that point seems to be (though I will find it eventually).
[](#kotohoops)
[lenticulars a/]>!many feelings were left unspoken. the air has not been cleared. it's not quite spring just yet. the girl in the background across all these episodes, will her feelings reach? [lenticular b/ awaits](#mugiwait)!<
Also, couldn't help but see how similar the designs were in this show with [a past *Gridman* design.](https://www.tumblr.com/sushiobunny/179301395485/ive-decided-to-make-a-larger-and-more-explanatory)
Indeed, it'll be interesting to see what b/ side's angle shows us.
> a past Gridman design.
[](#neat)
It was fine. No series that surprised me or were masterpiece-level but no huge dusappointments or drops either.
I am finishing up [Spy x Family Part 2](https://myanimelist.net/anime/50602/Spy_x_Family_Part_2) right now. This show came out at a good time, but watching it now really hasn't lived up. The comedy feels so forced and everything is paint by numbers. I remember when Anya was pretty much everywhere in Japan at that time. I won't be continuing this series that's for sure.
ps: didn't even watch this show
[](#seasonalfoodie)
Make sure to at least watch the ED! https://www.youtube.com/watch?v=VEb3rctB3dc
One of the top 49 LN adaptations I intend to finish for 2025.
Anyway, thought that clip was originally from the ED, now I have no idea of the context of that lol
[https://www.youtube.com/watch?v=qXjLhh6KZuM](https://www.youtube.com/watch?v=qXjLhh6KZuM)
And I like the OP as well: [https://www.youtube.com/watch?v=X3yirXygazg](https://www.youtube.com/watch?v=X3yirXygazg)
[](#flyingbunsofdoom)
In this case, both the chief director and director had directed other shows before, and the episode directors all look, from their credits, decently experienced. But it looks like the production might've been a death march, from a few superficial signs like the thirty-plus (!) animation directors involved in a thirteen-episode title, seven (!) of them credited for episode 13.
That might be because of mismanagement, but it's more likely to be because they weren't given enough time in the first place, which is--leaving aside the specific stuff with this title that PsychoGeek mentioned--an all-too-common story with the anime industry in the 2020s thanks to the international consumption boom and competition for production time.
Now that I'm actually watching True Tears I think I'm going to end up grouping it with Glasslip instead.
[](#seasonalthink)
Which reminds me that I decided to rewatch True Tears yesterday. Time to suffer as [plot]>!the best girl lost!<
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