Hyakuemu. • 100 Meters - Streaming Release - Movie Discussion
*Hyakuemu.*, Streaming Release
Alternate Names:
*100 Meters*
Reminder: Please do not discuss plot points not yet seen or skipped in the show. Failing to follow the rules may result in a ban.
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**Streams** - [Netflix](https://www.netflix.com/title/81785821)
**Show information**
* [MyAnimeList](https://myanimelist.net/anime/58919)
* [Anilist](https://anilist.co/anime/177687)
* [AniDB](http://anidb.net/a18648)
* [Kitsu](https://kitsu.app/anime/49072)
* [Anime-Planet](https://www.anime-planet.com/anime/100-meters)
* [Official Website](https://hyakuemu-anime.com/)
---
**All discussions**
Episode|Link
:-|:-:
Theatrical Release|[Link](https://www.reddit.com/r/anime/comments/1o52yyt)
Streaming Release|[Link](https://www.reddit.com/r/anime/comments/1pzve0s)
---
*This post was created by a Betulgusian and a mysterious biscuit. Message the mod team for feedback and comments.*
*The original source code can be found on [GitHub](https://github.com/r-anime/holo).*
Alternate Names:
*100 Meters*
Reminder: Please do not discuss plot points not yet seen or skipped in the show. Failing to follow the rules may result in a ban.
---
**Streams** - [Netflix](https://www.netflix.com/title/81785821)
**Show information**
* [MyAnimeList](https://myanimelist.net/anime/58919)
* [Anilist](https://anilist.co/anime/177687)
* [AniDB](http://anidb.net/a18648)
* [Kitsu](https://kitsu.app/anime/49072)
* [Anime-Planet](https://www.anime-planet.com/anime/100-meters)
* [Official Website](https://hyakuemu-anime.com/)
---
**All discussions**
Episode|Link
:-|:-:
Theatrical Release|[Link](https://www.reddit.com/r/anime/comments/1o52yyt)
Streaming Release|[Link](https://www.reddit.com/r/anime/comments/1pzve0s)
---
*This post was created by a Betulgusian and a mysterious biscuit. Message the mod team for feedback and comments.*
*The original source code can be found on [GitHub](https://github.com/r-anime/holo).*
Commentaires
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Only thing missing for me was some Komiya development - Feels like there was a bit missing since we spent so much time with Togashi and he has more of a story where you come to care and want him to succeed.
But all in all great cast, tough story that i'm sure a lot of runners can relate to in some way.
I like that we don't know who won between both at the end, they reached that moment they were looking for an guessing it didin't really matter for both of them who really won at the end ?
I watched it (and loved it) back when it was in theaters. I saw more anime movies in theaters this year than any year before (including *Demon Slayer* and *Chainsaw Man*), and I'd still say this is my favorite of the lot.
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The animation was fantastic and the raining scene is etched in my mind forever. Every running scene was so intense and got me out of my seat in excitement.
Rotoscoping was obviously awesome for the running parts but it surprised me how much it enhanced the slice of life parts. The high school part of the movie is easily my favourite and the subtle movements when they were all just talking was kinda nice.
The tale of being good when young and then being overcome by better people around you was very engrossing, it was a bit unpredictable in that regard.
Ah, we had the opposite opinion
To me this is where I have the hardest time accepting the decision of using rotoscoping. It neither looks as natural as watching live action, nor as natural and satisfying as intricately animated, non-rotoscoped character acting in the context of the medium, making me think I’d rather watch either. In a weird way, it’s almost immersion breaking at times
I’m very glad Look Back (mentioning it since the beginning of the movie reminded me of it) didn’t go that route and somewhat disappointed that 100m didn’t do the same, because aside from this artistic choice, there’s a lot I really like about the movie
Kaido be dropping some of my favorite lines in anime
Well, still not a fan of rotoscoping, especially not for mundane character acting scenes (unlike dance and some sports moves, where it *can* look nice if done well to convincingly convey specific motions), because that’s honestly when I can't help but think just make it live action then. The scene with the runners in the rain on the other hand was a nice use of the technique and blended well with the medium
Still it's more when I see non-rotoscoped scenes [like this](https://streamable.com/7r92za) or [this](https://streamable.com/5b32ef) that I'm glad it was animated. They gave a great sense of emotion and energy in a way the medium excels at.
A really good movie nonetheless. Also, Kaido is such a cool character, he really left an impression for how little screen time he got.
I look forward to more of Uoto’s work.
Also, Umamusume fans might not want to miss this, as it has similar beats to Cinderella Gray. And if you tell me, although KDPH might definitely win the Oscar for Best Animated Feature, there could be a chance that this film might end up being among the final nominees. Simply put, this is one of the best anime films not just of 2025, but the entire 2020's, one that you'd watch over and over again.
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Hyakuemu was pretty baller!
A bit like Ping Pong if things went a bit differently and went more in-depth into the future… (I saw that the mangaka Uoto was influenced by Ping Pong, which I can totally see…also Death Note, which I can see in the character design of Komiya \^_\^) The animation was of course fantastic, with cool experimental sections and rotoscoping. Music was also very hype--I knew I was going to be in for a good time from the opening credits!
The direction was very solid: I liked the repetition of the imagery of trains going over bridges, returning to the foundational moment of the story. (The type of train was also interesting: limited express trains and then a shinkansen kind of signal the level that the characters are actually running at.) That foundational moment also serves as the thematic anchor to the story—where in the end the answer to “why do you run” is kind of the rivalry/friendship of having the same experience together, blotting everything else out. In that sense, the results of the race don’t even matter, which is why it ended before the definitive answer (though it seems like Komiya was maybe winning? which was kind of telegraphed from that first foundational race, where Komiya won, helping motivate both of them to continue further).
I like that multiple characters went through slumps (multiple times, too) and recovered from them. Zaitsu’s resignation was interesting: based on his earlier conversations, you might assume that he would be happy to have rivals to run against again, but maybe he resigned because in a sense his goal was to *not* be the best again—to have people he could see ahead of them, and left having achieved that goal. He’s no longer alone. Zaitsu's own predicament is also foreshadowed by Togashi when he nearly quits at the beginning of high school, with both of them thinking they have nothing more to get out of running, partially because they're too good to have rivals motivating them to get better.
The recurrence of the idea of throwing your life away through running and risking injuries, and the plot twists associated with that were quite interesting. I was dreading that the story was setting us up for Komiya to be later injured, but it was in fact Togashi, who continued running after that point partially for his career (screw that sponsor corporation) and partially for the love of the game. I do kind of wish we knew what came of his injury and later career (is he more permanently injured? will he be able to continue his career now that he has his spark back?)—but this ambiguity is also part of the point. (Of the film, at least. Maybe the manga provides more closure.) I do think that eventually ending up as a coach is also a fitting and not entirely tragic end for him: based on him coaching Komiya at the start and those kids near the end, he’s suited for the job and it would be thematically resonant to come full circle….but it would also be nice for him to get a few more years in as a pro athlete!
In any case, I wasn’t sure how much I agreed with the idea of risking everything for the run as presented here, but it’s not an uncommon one in anime and manga \^_\^ What I found almost more interesting was the idea of being able to lose yourself in running, blotting your anxieties and the world out. Komiya runs away from his issues through running at the beginning, but even at the climax, we see the idea of runner’s high and the world disappearing from you except for your rivals and friends returning. But being able to lose yourself in what you are doing is a common phenomenon among not only athletes but also artists, etc—and is something that strongly resonates with me as well. Perhaps, more than risking everything to win, the film suggests that the flow state and human relationships are more important, and being able to imagine different realities. (Doesn’t the climax suggest this, rather than the idea that being fastest “solves everything”?) Though perhaps it also suggests that everybody needs to find their own individual reason to continue on. It’s a very existential film, isn’t it?
Finally, I really appreciate that Hyakuemu shows the characters as they grow and develop over nearly 20 years—we need more anime that take a temporally long approach to storytelling!
He eventually debuted with a track-and-field manga called **'**Hyakuemu**.'** Even though the story was pure genius, it just didn’t sell at first. It got so bad that the publisher originally decided NOT to release the physical books. Uoto posted about this heartbreaking news on Twitter, and the reaction was huge—fans rallied, the ratings on the manga app spiked, and the publisher actually changed their mind and let him release the books!
But what happened next is even crazier. He took all that frustration and raw energy and poured it into his next project: **'Orb: On the Movements of the Earth.'** This one became a massive global hit, swept every major award in Japan, and led to the Netflix anime everyone's talking about.
And here’s the best part: because **'Orb'** became such a phenomenon, his debut work—which was once 'dead'—came back to life! **'**Hyakuemu**'** was re-released as a special 2-volume complete edition, and now it’s actually being turned into a movie!
Since it’s a film, they had to focus on a specific part of the story to fit the runtime, but it’s so well-structured. It really condenses all that intense passion from the original manga into one perfect experience.
**Oh, and here’s one more interesting thing—he actually studied philosophy in college, but he dropped out in his second year to fully commit to his career. You can definitely see that philosophical depth in his writing, right?"**
Also, was this the best year for anime cinema since 2016? I think so.
That's what I got from this.
He'll only get better from now on
One good thing about ecosystem of manga is that there is market for almost any subject matter and even if you are not writing for the big 3 magazines, you can still make a living and also have enough exposure to be successful like Uoto as long as you are writing good stories.
This is one of those movies that will genuinely make me say Absolute Cinema!
You'd think I'd have a load of words to say about this movie but all I can say is that it was amazing.
Also while not a major character the one to surprise me the most was Kaidou not one of the main two not even the legend Zaitsu but a character that just appeared near the end but he was the one that managed to first break from reality and win. He beat not just Zaitsu but also Komiya. Whether it was Komiya or Togashi who won in the final doesn't really matter, but Kaidou won that one time. I was hoping for him to win and break escape from reality when they were going Zaitsu or Komiya over and over again but ngl I expected it to be the case where you really can't win despite everything but he actually did it. Because he managed to do what I wanted him to do he broke my expectations.
Ok I said I wasn't going to say much but still kinda wrote a bit. Anyways great movie. Glad this was my last movie of the year.
Terrible Rudolf level jokes aside, the movie was fantastic. I love the conversations throughout that constantly recalls earlier ones between different people, and how they take on their own meanings in different stages of their lives. The rotoscoping actions are amazing and the way the characters are always moving and swaying are just makes the animation takes on a hyper reality for some reason. Music and audio are also excellent. I think its the best thing I watched this year, certainly the best movie.
Director Iwaisawa is so goated for drawing all those background trees
https://www.animenewsnetwork.com/interview/2025-10-15/100-meters-anime-film-director-kenji-iwaisawa-attention-to-detail-puts-artistic-originality-first/.229739
Please give me extra context and change my mind because I really wanted to like it.
Too bad I could not watch it on cinemas but at least Netflix released it soon after.
Despite introduced so late, he quickly became my favorite.
What’s so genius is that the narrative frames him to be perceived as undervalued and he breaks expectations all the same.
From his very first introduction, the fact that he is constantly improving his times is secondary to the fact he is always losing to Zaitsu.
Instead of looking at it through this mindset, he focusses on the improving aspect, “the reshaping reality part”. And the payoff is supreme.
The upset he stages where he beats both Komiya and Zaitsu is the highlight of the movie for me, bar maybe the first Komiya race and final race
Great movie
Added to the fact that the voice actor is such a goat.
So many beautiful truth bombs that applies to life. The final scene with them running as kids hit such a spot in me.
I have an urge to run now at 11pm.