35 Winter 2026 Shows' OP/EDs: A Tierlist
I had no idea what to vote for when it came to OPs and EDs during the 2025 Awards, so I decided to write down my impressions of all the ones I see in 2026. The requirement for being on the list is me watching at least one episode of the show itself and the shows are tiered by the average scores of their credits sequences. I may end up doing this for every season this year, it's pretty fun. Thanks for checking this out!
#Perfect 5.0s
**[Oshi no Ko] Season 3:**
######OP: TEST ME by ちゃんみな/CHANMINA - 5/5
Oshi no Ko might have passed the point in the source material where I stopped being invested, but I'm not going to act like that detracts from the show's production quality. This OP rocks from the top to the bottom and actually convinced me to give the season a chance, that's an accomplishment worth recognizing.
######ED: セレナーデ by なとり/natori - 5/5
A broader look at the entirety of the story through Ruby and Aqua, plus their pre-reincarnation selves, makes for a strong ending that reminds the audience of what's largely at stake while they go through the specifics of this season. The dancing shows off the dynamic between the two, natori doesn't miss, and I'm happy to watch the entire ED every time.
**JUJUTSU KAISEN: The Culling Game Part 1**
######OP: AIZO by King Gnu - 5/5
Every time I watch JJK, I do my best to think about the characters, the themes, and what the writing is trying to say beyond the surface level. Then, without fail, it smacks me upside the head with enough hype or a well-executed pop culture reference that makes me lose my faculties and just ride the vibe with a smile on my face. That dynamic is defined in bold by this OP and even though the full version of the song loses me with repetition, it's perfect at this length.
######ED: よあけのうた by jo0ji - 5/5
Shifting landscapes and scattered memories border the saddest container of calamity that has to keep walking forward while recognizing the treasures he's gained along the way. It's the thematic character crap I was trying to get at when talking about AIZO and I love it. It does help that the song alone is maybe my favorite song of the season, the full version is one heck of a journey.
#Incredible 4.5s
**You and I Are Polar Opposites:**
######OP: メガネを外して by 乃紫/noa - 5/5
Thematically matched in every aspect by means of a song about removing the lens you put between yourself and the world, a multimedia animation extravaganza showcasing optical illusions, and plenty of high school SNS TikTok trend activities. For a show with a big cast that interact in a ton of combinations all going through coming-of-age realizations about themselves and others, I can't think of anything better. This is top-class.
######ED: ピュア by PAS TASTA ft. 橋本絵莉子/Eriko Hashimoto - 4/5
Solid stuff here using a chibi diorama aesthetic that blends CG with 2D to create a pleasant, crafted look as Suzuki wanders through a bunch of references to the show, ending on the whole cast taking off. No major issues and very strong execution, but I've got a subjective lean against any OP/ED that does the "walking by the show" format. It's tried and true when I want something new. I do enjoy the marching percussion of the song quite a bit, though.
**Journal with Witch**
######OP: ソナーレ by TOMOO - 5/5
There's a reason they started the premiere with Asa singing the song, it fits perfectly. The visuals even get the privilege of sampling all of the fantastical imagery spread across the show for a rapid-fire presentation that swells with the music and never fails to give me goosebumps. It helps with the more dramatic elements of the story to have this delightful sequence at the start, it gives some reassurance that things will be alright in the end.
######ED: 言伝 by ビアリストックス/Bialystocks - 4/5
What a delightful pillow of an experience to rest on when my eyes are filled with excess water! This ED is super effective as a gentle ramp back into reality after empathizing with difficult emotions. Makes me want to curl up and fall asleep with a clear head, too bad the show comes in the morning, pretty short-sighted of them.
**'Tis Time for "Torture," Princess:**
######OP: Sunday Morning by ILLIT - 5/5
I think I'm weak to these "Behind the Scenes" concepts ever since Call of the Night Season 1. This show is such a good fit for it since the idea of all these characters working together to make a fun show is right on the money. Huge fan of the song and dance, just a great vibe all around.
######ED: お姫様にはなれない by ユイカ/Yuika - 4/5
This tea party idea is so cute! Having the Princess handle service before getting roped into the fun is a solid miniature version of the show itself. Love the different art style and the song is strong thematically even if I'm not going to be listening to it outside of the weekly experience.
**Tamon's B-side:**
######OP: Sweet Magic by F/ACE - 5/5
I, uh, didn't think I liked this kind of stuff. K-Pop Demon Hunters didn't grab me and I never seek out boy bands, but this hits me right in the neurons and I can't deny it. The whole OP is a ton of fun, shows off everything about the show while poking fun at the obsessive fans, and features a simply fantastic dance between the two leads that reminded me of Skip and Loafer with more oomph.
######ED: 花と夢 by F/ACE - 4/5
Sweet Magic is fun, but Hana to Yume is actually on my playlist. I cannot get this song out of my head and the only reason I'm not maxing its score out is due to the visuals not doing much to accentuate my enjoyment. It's a nice slide show and I think they sell the infatuation coming from Utage by the end, but pumping this to a 4/5 is already biased enough. My shocking enjoyment of F/ACE has reminded me that long ago, I thought Abracadabra by Brown Eyed Girls was the best song ever made. Did I ever really change?
#Real Great 4.0s
**Hell's Paradise:**
######OP: かすかなはな by キタニタツヤ/Tatsuya Kitani ft. BABYMETAL - 5/5
While it's hard to match the 6/5 quality OP of Season 1, I've got zero complaints here. The visuals are striking, hearing the vocals of Tatsuya Kitani and SU-METAL is super rad, and I'm that guitar grabs ya. Flowers and blood are everywhere, plenty of characters on deck for emotional moments are advertised, and this OP has me excited for every second of it.
######ED: PERSONAL by 女王蜂/Queen Bee - 3/5
I'm usually expecting Queen Bee to show off their vocal flexibility, so hearing a more reined in performance felt fresh even with that familiar sucker punch falsetto partway through. This sequence as a whole is fairly minimalist and focusing on one of my favorite parts of the show, Gabimaru loving his wife, isn't enough for me to think much of it beyond solid execution on some thematic imagery like the black and white man becoming fully colored.
**Wash It All Away:**
######OP: 綺麗。by ゆう/yuu - 4/5
The song's called clean, the voice is crisp and precise, and the momentum built by the whole production makes getting stains out feel like erasing despair with a pure heart. The show makes a professional cleaner into an everyday hero, so I like how hard it leans into the joy of a clear, sunny day in a positive community. Totally thought this was Lilas Ikuta for the first half.
######ED: 若葉のころ by 清浦夏実/Natsumi Kiyoura - 4/5
A very similar dynamic to Journal with Witch's ED, where a gentle slide back into reality is presented by a Kinme in pale seasonal colors wrapping up the day and bidding you goodbye. Starting with Summer and ending in the Sakura Pink of Spring hits that theme of a fresh beginning through cleaning, feels great.
**Sentenced to Be a Hero:**
######OP: Kill the Noise by SPYAIR - 4/5
Definitely not my kind of music, but this is a slick package that shows off a large cast of charismatic people with some style and a bit of thematic imagery for the emotional bits of the plot. The classic shonen montage of the cast doing their attacks is instead a big battle scene that doesn't look like a mess, that's impressive.
######ED: None at the moment? Is this cheating under my ranking system?
**Frieren: Beyond Journey's End Season 2**
######OP: lulu. by Mrs. GREEN APPLE - 3/5
I find this song hard to like and it drags down the whole experience to the point that I started skipping Frieren's OP. I've listened to the full version(20M+ views!) and watched reaction videos of it where people gush about the musicianship, it just doesn't connect for me. The animation is gorgeous and chock full of imagery that feeds into Frieren recalling the journey of her past before cherishing tiny moments in the present, but I'm checked out as a wall of sound beats me into submission like I'm supposed to be bursting into tears at the beauty. I just get a headache.
######ED: The Story of Us by milet - 5/5
milet is going to be attached to Frieren until this series is finally complete, isn't she? The colored pencil animation is mesmerizing, not sure why Frieren is crouching on a banner pole at the end. Was she always a bird? Is that the secret we find out at Ende? Frieren is a bird?
#Pretty Darn Good 3.5s
**The Villainess Is Adored by the Prince of the Neighbor Kingdom:**
######OP: 愛のファンファーレ by 高垣彩陽/Ayahi Takagaki ft. 城田優/Yu Shirota - 4/5
The show itself is straightforward fluff to a fault, but this OP leans onto the fluff with a energetic duet that never fails to make me smile. The animation keeps up with the pace as you are assaulted by happiness, cookies, and sparkles. I never skipped this sequence even though I ended up dropping the show, very fun.
######ED: 魔法の音 by 高垣彩陽/Ayahi Takagaki ft. 城田優/Yu Shirota - 3/5
What? You think you can just have the two from the OP do a ballad duet and win me over the same way? You got close, but the visuals are much more restrained and basically show you stuff you'll see in the show five times beforehand. Man look down and say word, woman look up and feel feeling, love. Still, I'm a sucker for that kind of thing and feel the OP/ED are so strong you could just watch them once a week instead of the show they border.
**SHIBOYUGI: Playing Death Games to Put Food on the Table**
######OP: ¬Ersterbend by LIN - 3/5
Much like the show, you can meditate on the imagery of the opening and wonder why this POV puts itself in danger as the escalating backing track transports you to a "deranged world" or you can feel relief as you finally get hit by a car and don't have to be bored anymore. I think both are valid, but I lean more toward the mediation and enjoy this non-standard experience.
######ED: 祈り by 藤川千愛/Chiai Fujikawa - 4/5
I'm more used to Chiai Fujikawa's higher energy mode after Shield Hero Season 3's ED, but this airy vocal style somehow hits me just as hard. The visuals give some abstract meat for the pondering that has more to savor compared to the opening, so it's a winner in my book.
**The Invisible Man and His Soon-to-Be Wife:**
######OP: Ding-dong by 阿部真央/Mao Abe - 5/5
If I was actually giving ratings higher than a 5, this would be a 7. I am absolutely delighted by this entire experience and will prepare for a physical altercation if someone tries to tell me it's a 4/5 or less. A show bursting with kindness, love, and acceptance gets an incredible introduction every week that I'll never forget.
######ED: 星眼鏡 by 石原夏織/Kaori Ishihara - 2/5
The first 2/3rds of this ED are solid enough by having black and white get filled in with color as more people enter the workplace and then having some fun with people standing behind an invisible man for different effects, but the slow pan on whatever character appears that week followed by the two leads just... bobbing? Feels like we ran out of ideas.
#Darn Good 3.0s
**Dead Account:**
######OP: デッドエンド by 五十嵐ハル/Haru Igurashi - 3/5
It's appropriate for a show that curbs heavily from the Bleach/Naruto bucket that the opening feels right out of that era. A fun guitar lick bookends a perfectly solid introduction that shows the cast, what they can do, and a bit of the threat while accenting the in-between stuff with thematically and mechanically relevant social media imagery. A very high 3.
######ED: 来世はどうせ by 金子みゆ/Miyu Kaneko - 3/5
Bright colors and a heavier focus on the digital aspect of the premise make a tight framing device for the show's mascot character. I need to applaud how this ending manages to promote the mascot, give focus to the female members of the cast, and somehow squeeze in enough time for a TikTok dance. The music even provides proper backing for all the functions, pretty cool even if the whole thing comes off as a bit ADHD to my raisin of a brain.
**In The Clear Moonlit Dusk:**
######OP: うるわし by UNISON SQUARE GARDEN - 3/5
I really, really like this song. An excellent hook that doesn't waste the fact that it catches your ear and the lyrics I looked up have a playful bend to the romantic appeal that seems appropriate for Kohaku. The visuals display the leads' dynamic by showing the two on opposite phases of the moon, having vastly different mornings, and still meeting in the middle with a coincidental heart. There's some dessert imagery that's lost on me beyond Yoi liking sweets and the rest of the cast is shown off briefly in the soft pastels of the entire sequence. Solid and functional.
######ED: アザレアの風 by UNISON SQUARE GARDEN - 3/5
While the opening sequence gives off an impression of a playful flirtation, this ending from the same band is more reserved and shifts the perspective to Yoi making an effort to reach Kohaku. The moon imagery and connection point from the OP make a return, completing a nice package with strong intentionality.
**An Adventurer's Daily Grind at Age 29:**
######OP: 君が灯してくれた光を今 by HoneyWorks ft. Hanon - 3/5
Fits the show perfectly by being 60% kids + community, 37% Hajime + his past, and 3% borderline imagery that makes you think the show with a small child that transforms into an adult woman at night while sharing the same bed as a non-related adult man could go in a direction. It won't, but it certainly makes you aware of the line not being crossed by breakdancing right next to it.
######ED: 君の隣は空気が美味しい by HoneyWorks ft. Kotoha - 3/5
Wow, this is cute as hell. Rirui playing with the bird is adorable and almost tricked me into thinking this was more than still images and some walking.
**A Gentle Noble's Vacation Recommendation:**
######OP: Gypso by 牧島輝/Hikaru Makishima - 4/5
This OP just might be BL. I'm not sure if it's the near absence of female characters, the casual closeness between men, or this song being grateful for the time they spent with one another, but I'm definitely getting a signal. Check out the artist's YouTube for a full version playing over a montage of friendly moments between Lizel and Gil.
######ED: うっすら by 直田姫奈/Hina Suguta - 2/5
This slideshow has some really nice slides, but that's about it. The music fits a gentle SoL vibe, in a way that would fit almost any offering in the genre. The ending art from various artists is always a pleasure even if I don't count that as part of the ED when it comes to rating.
#Average 2.5s
**Isekai Office Worker: The Other World's Books Depend on the Bean Counter**
######OP: Magic by kobore - 3/5
Writing this after only four episodes means that I see this opening as something at odds with the main production. The relationship in the show is being stoked by a contrived "have sex or die" mechanic that makes me laugh more than swoon. Still, I'm sure the show will embody the positives on display eventually and I don't have any problems with the OP in a vacuum.
######ED: Back to Back by MORISAKI WIN - 2/5
Cute, romantic slideshow with a sprinkle of stardust. Feels like the romance anime equivalent to the shonen "characters walking" format. It works even if I struggle to attach the song to the early relationship dynamic in the show. I wonder if I'd rate this higher near the end of the season.
**You Can't Be In a Rom-Com with Your Childhood Friends!:**
######OP: あいらびゅ♡ by HoneyWorks and Cast Ensemble - 3/5
Just in case the show itself didn't make it clear, the girls are cute and if you're here for anything other than that, you're a liar. Not the most exciting TikTok dance bait I've ever seen, it's alright.
######ED: あまのじゃく by 小玉ひかり/Hikari Codama - 2/5
Hey, c'mon. This show has some dramatic range, right? Forget about the MC internally screaming while two of the girls rub their asses into his thighs, look how they long for the moon or whatever. Great song, but you're not tricking me!
**The Demon King's Daughter is Too Kind!!:**
######OP: We Can Do!! by 石原夏織/Kaori Ishihara - 3/5
Oh my God, that's cute. That's cute as heck. The walking animation near the start looks a little awkward, but once Kaori Ishihara starts making sound effects in the song I lose all ability to reason. Say "yay!"
######ED: いっこにこにこ by Cast Ensemble - 2/5
Jahy's VA does a fine job, but this ED lacks the impact of the OP and clearly had less to work with when it came to the visuals.
**Champignon Witch:**
######OP: 魔法使いの日記 by ロス/Rosu - 2/5
These vocals are absolutely fantastic and capture the tragic fairy tale vibes that the show likes to punch you with. Although, a gorgeous CG environment utilizing strong contrast isn't enough to convince me that a whole lot is going on here. Very striking on first impression, loses its luster on repeated viewings.
######ED: 君は by Ms.OOJA - 3/5
Very similar to the opening in terms of aesthetic and direction! This sequence features some animated characters emoting a bit more and it pushes the rating up in my book since it consistently gets my eyes misty.
**The Holy Grail of Eris:**
######OP: Happy Ever After by 鷲尾伶菜/Reina Washio ft. 由薫/YU-KA - 3/5
There is some clever stuff going on here with how they show off the Constance/Scarlett dynamic and these CG environments they lean heavily on are actually lit in a way that doesn't make them pop out of the screen like a royalty-free horse asset. It's just a bit too much "camera moving around a CG environment" and not enough 2D animation for my taste. My strongest memories of the opening are the first 20 seconds and then a lot of well-rendered bricks.
######ED: カメリア by 田村ゆかり/Yukari Tamura - 2/5
The puppet metaphor is fine and this ED is a puppet until it isn't. Got it, nice vocals.
#Getting It Done 2.0s
**Scum of the Brave:**
######OP: GUN POWDER by TOOBOE - 2/5
A case of a strong song being held back by a dull animation sequence. They've got this energetic track with one hell of a hook that plays over characters swinging swords at Orange Hi-C dispensing CG models, plus characters standing in a group with swords. There's even a bit at the end where it looks like mouth flapping from random dialogue scenes in the show, nice.
######ED: メンタルレンタル by 紫今/Ima Murasaki - 2/5
Another catchy song backed up with average at best presentation. The chibi characters animated simply to the beat are satisfying, but the only thing I'm remembering about this is the song. Another earworm that I should get on a playlist. The gallery of alternate outfits for Jougamine is fun.
**A Misanthrope Teaches a Class for Demi-Humans:**
######OP: ニンゲン by オーイシマサヨシ - 2/5
I love hearing Masayoshi Oishi's voice ever since Nozaki-kun's OP and ニンゲン does not disappoint as a standalone offering, even if I'm not huge on the click track rap breakdown stuff. Sadly, this is a mostly functional opening that accomplishes setting the tone range for the show and just showing off the cast ensemble like four times in a row. The first 15 seconds really makes you think the whole is going to be fucking awesome, though.
######ED: 人間カムトゥルー！ by a Cast Ensemble - 2/5
I don't like these kinds of sequences. High energy music with a buncha notes firing off while all the VAs sing together in their cartoon voices. It's sounded like a mess to me for decades and I feel like I'd have to put a tremendous effort into actually engaging with the genre beyond my immediate aversion. Pairing that style with a bunch of still images being waved around or panned by and I'm super done. Still a 2/5 since it all fits together functionally and the effort is there.
**Easygoing Territory Defense by the Optimistic Lord: Production Magic Turns a Nameless Village into the Strongest Fortified City**
######OP: おきらくぜ～しょん by 中島怜/Rei Nakashima - 3/5
10 seconds is enough to put an earworm into my brain so strong I feel like I'm losing my motor functions. Definitely held back by the visuals not having a lot to do beyond being creative with stills, but the tone of the show is set perfectly. If you take anything seriously or get worried about a character, remember how the episode started. Rei Nakashima also did GA-TAN GO-TON for Train to the End of the World, she's clearly got an ear for the undeniably catchy.
######ED: Make It by 大渕野々花/Nonoka Oobuchi - 1/5
It's just karaoke with a hook that sounds like when a kid's show uses the melody from a song that was popular decades ago.
**ROLL OVER AND DIE:**
######OP: Liberator by Passcode - 3/5
Love the concepts of this OP. The lesbian body horror banishment story where the antagonistic force spirals flesh a la Uzumaki gets a guy growling the onomatopoeia for spinning while text also spins, nice. There's also the death mask visuals, Flum pulling Milkit out of the dark after Milkit is the only light Flum sees, and lots of running zombies. It's fun and definitely done on a budget.
######ED: I need by 田中有紀/Yuki Tanaka - 1/5
I like the hopeful build of the song, but this two-picture story where the second picture slowly gains people is like turning in an essay that's just your name at the top of blank paper so you get minimum credit.
**Kaya-chan isn't Scary:**
######OP: まぼろしの行方 by ヰ世界情緒/Isekaijoucho - 2/5
I don't think these visuals are able to keep up with this song except for a bit of the action segments in the back half. Feels like my brain is filled with audio static while pretty normal imagery goes by. That contrast sort of ties into the show's main dynamic, but I'm stretching with some charitability there.
######ED: Playmour by 朔雀/SAK & 導凰/TAO ft. カヤちゃん/Kaya-chan - 2/5
I genuinely love hearing Kaya-chan herself join in on this spooky earworm-filled track. These visuals aren't doing much to enhance the experience, unfortunately.
**Hana-Kimi:**
######OP: アドレナ by YOASOBI - 2/5
Is it just me or could you put a ton of different songs over this walking POV and have it fit just the same? I don't see connective tissue that creates an identity, it technically fits together and that's all I can say about it.
######ED: BABY by YOASOBI - 2/5
After the OP, I was pretty curious how Mizuki looks from the outside when she walks or stays perfectly still. This is another one that feels like music and visuals stapled together to make a functional package without much else going on.
#Ehhhh 1.5s
**Reincarnated as a Dragon:**
######OP: Gliding Claw by Sizuk - 2/5
This is one of those that makes you ready to watch generic slop. A song about getting stronger, being able to protect someone, reaching out a hand, etc. Put that behind some bland CG with a few shots of a girl looking worried and you've got an, at best, 6/10 show that lets you know it's coming.
######ED: Sky Clipper by 導凰/TAO & 朔雀/SAK - 1/5
Silhouettes running anyone? I like the song by itself, but it sounds like a repurposed rhythm game track. This is basically credits on a black screen.
**Kunon the Sorcerer Can See:**
######OP: ラケナリアの夢 by ヰ世界情緒/Isekaijoucho - 1/5
I don't understand how this frantic, desperate song fits the mostly comedic show that follows. The visuals swing between fitting either the music or the show in a way that feels discordant. Looking up the lyrics didn't help and I can only view at this as a generic sequence slapped onto a show with the idea that Fantasy Magic Anime needs a song about moving forward and improving despite obstacles. Kinda cool to see a VTuber doing this sort of thing, she handles Kaya-chan's OP this season as well. I'm probably just ignorant to how many VTubers are in the anime industry at this point, I'm sure it's more than I'd expect.
######ED: Story by KOHTA YAMAMOTO ft. katagiri - 2/5
Still images and a gentle tune summarizing the early plot of the show ain't much, but at least this ED is a cohesive package that works a bit better as the final thing you see.
**Jack-of-All-Trades, Party of None:**
######OP: シルベ by 常闇トワ/Towa Tokoyami - 2/5
I do get a chuckle out of the text going, "SUPPORTER CONVERT ATTACKER." Studios gotta watch out for those huge spoilers to the overseas audience. Despite a little bit of fluid animation and thematic imagery, this whole thing screams "generic" for me and I retain nothing.
######ED: sukuu by Nowlu - 1/5
Stuck On You is quite possibly, one of my favorite anime opening songs of all time. Sadly, this Nowlu song feels wasted and isn't supported at all by a slideshow or CG Orhun walking through empty areas. At least the lyrics tie into Orhun's not-that-great character arc. Strong recommendation to listen to the full track because the back half they didn't use is fantastic. Also, just listen to Nowlu's entire catalog, she's rad.
**Noble Reincarnation: Born Blessed, So I'll Obtain Ultimate Power**
######OP: Break Off by SUPER★DRAGON - 2/5
You better get the fuck up out of your seat and brace yourself for a show that doesn't feel anything like this opening. They should have included some scenes of the MC buying land instead. The OP has some style and I like the attitude of the song, so that helps.
######ED: You'll Be In My Heart～そばに～ by Azusa Tachibana - 1/5
Wow, this medieval magic kingdom's music scene sure is contemporary. It's a crazy move to try and sell this as an in-universe performance and I'm not buying it. It's also boring as heck and loses a lot of impact when you realize the MC bankrolls the girl and she looks at him like a hero or something.
#Always Skipping 1.0s
**There Was a Cute Girl in the Hero's Party, So I Tried Confessing to Her:**
######OP: Lavish!! by 吉乃/Yoshino - 1/5
I'm not sure if having the BPM of a song be 20x the FPS of the animation is working for me. The show is mostly matching up couples and solving interpersonal issues with mild comedic musings, so nothing I'm seeing here is meshing that well.
######ED: キミ攻略ゲーム by 大宮陽和/Hiyori Omiya - 1/5
Look at the girl, isn't she cute? Here's the guy being silly, lol. Look at the girl again! So cute! Let's pose them together romantically without having them make eye contact to put a clunky-ass bow on this clunky-ass show.
**HELL MODE: The Hardcore Gamer Dominates in Another World with Garbage Balancing**
######OP: ハク by あたらよ/Atarayo - 1/5
You can't just put the D-tier CG models in the opening sequence like that. You're supposed to draw the monsters good and then pull the rug out during the show once the audience is invested! I don't know, this would be great if the show was about a plucky kid rising above the challenges of society through determination and family values. The fact that he's 35 makes me think of a middle-aged guy replacing Allen in every shot and I feel put off. Like, imagine a Pokemon opening where you replace Ash Ketchum with a 40-year-old, it ain't right. Also, Great Cleric reference, cool.
######ED: Sanctuary by 花耶/Kaya - 1/5
Kaya's gorgeous voice is awesome, go listen to the full version on YouTube. This ED is just people sleeping and it makes me wish I was unconscious as well.
**The Daily Life of a Part-Time Torturer:**
######OP: GO GO PARADISE!! by GRANRODEO - 1/5
Come on, man. 30 seconds of random dialogue scenes after trying to make these characters look cool in a couple ways? This song rips and I wish it was attached to something else.
######ED: 明日天気になぁれ by 寺島拓篤/Takuma Terashima - 1/5
Is this a shoe commercial?
#Perfect 5.0s
**[Oshi no Ko] Season 3:**
######OP: TEST ME by ちゃんみな/CHANMINA - 5/5
Oshi no Ko might have passed the point in the source material where I stopped being invested, but I'm not going to act like that detracts from the show's production quality. This OP rocks from the top to the bottom and actually convinced me to give the season a chance, that's an accomplishment worth recognizing.
######ED: セレナーデ by なとり/natori - 5/5
A broader look at the entirety of the story through Ruby and Aqua, plus their pre-reincarnation selves, makes for a strong ending that reminds the audience of what's largely at stake while they go through the specifics of this season. The dancing shows off the dynamic between the two, natori doesn't miss, and I'm happy to watch the entire ED every time.
**JUJUTSU KAISEN: The Culling Game Part 1**
######OP: AIZO by King Gnu - 5/5
Every time I watch JJK, I do my best to think about the characters, the themes, and what the writing is trying to say beyond the surface level. Then, without fail, it smacks me upside the head with enough hype or a well-executed pop culture reference that makes me lose my faculties and just ride the vibe with a smile on my face. That dynamic is defined in bold by this OP and even though the full version of the song loses me with repetition, it's perfect at this length.
######ED: よあけのうた by jo0ji - 5/5
Shifting landscapes and scattered memories border the saddest container of calamity that has to keep walking forward while recognizing the treasures he's gained along the way. It's the thematic character crap I was trying to get at when talking about AIZO and I love it. It does help that the song alone is maybe my favorite song of the season, the full version is one heck of a journey.
#Incredible 4.5s
**You and I Are Polar Opposites:**
######OP: メガネを外して by 乃紫/noa - 5/5
Thematically matched in every aspect by means of a song about removing the lens you put between yourself and the world, a multimedia animation extravaganza showcasing optical illusions, and plenty of high school SNS TikTok trend activities. For a show with a big cast that interact in a ton of combinations all going through coming-of-age realizations about themselves and others, I can't think of anything better. This is top-class.
######ED: ピュア by PAS TASTA ft. 橋本絵莉子/Eriko Hashimoto - 4/5
Solid stuff here using a chibi diorama aesthetic that blends CG with 2D to create a pleasant, crafted look as Suzuki wanders through a bunch of references to the show, ending on the whole cast taking off. No major issues and very strong execution, but I've got a subjective lean against any OP/ED that does the "walking by the show" format. It's tried and true when I want something new. I do enjoy the marching percussion of the song quite a bit, though.
**Journal with Witch**
######OP: ソナーレ by TOMOO - 5/5
There's a reason they started the premiere with Asa singing the song, it fits perfectly. The visuals even get the privilege of sampling all of the fantastical imagery spread across the show for a rapid-fire presentation that swells with the music and never fails to give me goosebumps. It helps with the more dramatic elements of the story to have this delightful sequence at the start, it gives some reassurance that things will be alright in the end.
######ED: 言伝 by ビアリストックス/Bialystocks - 4/5
What a delightful pillow of an experience to rest on when my eyes are filled with excess water! This ED is super effective as a gentle ramp back into reality after empathizing with difficult emotions. Makes me want to curl up and fall asleep with a clear head, too bad the show comes in the morning, pretty short-sighted of them.
**'Tis Time for "Torture," Princess:**
######OP: Sunday Morning by ILLIT - 5/5
I think I'm weak to these "Behind the Scenes" concepts ever since Call of the Night Season 1. This show is such a good fit for it since the idea of all these characters working together to make a fun show is right on the money. Huge fan of the song and dance, just a great vibe all around.
######ED: お姫様にはなれない by ユイカ/Yuika - 4/5
This tea party idea is so cute! Having the Princess handle service before getting roped into the fun is a solid miniature version of the show itself. Love the different art style and the song is strong thematically even if I'm not going to be listening to it outside of the weekly experience.
**Tamon's B-side:**
######OP: Sweet Magic by F/ACE - 5/5
I, uh, didn't think I liked this kind of stuff. K-Pop Demon Hunters didn't grab me and I never seek out boy bands, but this hits me right in the neurons and I can't deny it. The whole OP is a ton of fun, shows off everything about the show while poking fun at the obsessive fans, and features a simply fantastic dance between the two leads that reminded me of Skip and Loafer with more oomph.
######ED: 花と夢 by F/ACE - 4/5
Sweet Magic is fun, but Hana to Yume is actually on my playlist. I cannot get this song out of my head and the only reason I'm not maxing its score out is due to the visuals not doing much to accentuate my enjoyment. It's a nice slide show and I think they sell the infatuation coming from Utage by the end, but pumping this to a 4/5 is already biased enough. My shocking enjoyment of F/ACE has reminded me that long ago, I thought Abracadabra by Brown Eyed Girls was the best song ever made. Did I ever really change?
#Real Great 4.0s
**Hell's Paradise:**
######OP: かすかなはな by キタニタツヤ/Tatsuya Kitani ft. BABYMETAL - 5/5
While it's hard to match the 6/5 quality OP of Season 1, I've got zero complaints here. The visuals are striking, hearing the vocals of Tatsuya Kitani and SU-METAL is super rad, and I'm that guitar grabs ya. Flowers and blood are everywhere, plenty of characters on deck for emotional moments are advertised, and this OP has me excited for every second of it.
######ED: PERSONAL by 女王蜂/Queen Bee - 3/5
I'm usually expecting Queen Bee to show off their vocal flexibility, so hearing a more reined in performance felt fresh even with that familiar sucker punch falsetto partway through. This sequence as a whole is fairly minimalist and focusing on one of my favorite parts of the show, Gabimaru loving his wife, isn't enough for me to think much of it beyond solid execution on some thematic imagery like the black and white man becoming fully colored.
**Wash It All Away:**
######OP: 綺麗。by ゆう/yuu - 4/5
The song's called clean, the voice is crisp and precise, and the momentum built by the whole production makes getting stains out feel like erasing despair with a pure heart. The show makes a professional cleaner into an everyday hero, so I like how hard it leans into the joy of a clear, sunny day in a positive community. Totally thought this was Lilas Ikuta for the first half.
######ED: 若葉のころ by 清浦夏実/Natsumi Kiyoura - 4/5
A very similar dynamic to Journal with Witch's ED, where a gentle slide back into reality is presented by a Kinme in pale seasonal colors wrapping up the day and bidding you goodbye. Starting with Summer and ending in the Sakura Pink of Spring hits that theme of a fresh beginning through cleaning, feels great.
**Sentenced to Be a Hero:**
######OP: Kill the Noise by SPYAIR - 4/5
Definitely not my kind of music, but this is a slick package that shows off a large cast of charismatic people with some style and a bit of thematic imagery for the emotional bits of the plot. The classic shonen montage of the cast doing their attacks is instead a big battle scene that doesn't look like a mess, that's impressive.
######ED: None at the moment? Is this cheating under my ranking system?
**Frieren: Beyond Journey's End Season 2**
######OP: lulu. by Mrs. GREEN APPLE - 3/5
I find this song hard to like and it drags down the whole experience to the point that I started skipping Frieren's OP. I've listened to the full version(20M+ views!) and watched reaction videos of it where people gush about the musicianship, it just doesn't connect for me. The animation is gorgeous and chock full of imagery that feeds into Frieren recalling the journey of her past before cherishing tiny moments in the present, but I'm checked out as a wall of sound beats me into submission like I'm supposed to be bursting into tears at the beauty. I just get a headache.
######ED: The Story of Us by milet - 5/5
milet is going to be attached to Frieren until this series is finally complete, isn't she? The colored pencil animation is mesmerizing, not sure why Frieren is crouching on a banner pole at the end. Was she always a bird? Is that the secret we find out at Ende? Frieren is a bird?
#Pretty Darn Good 3.5s
**The Villainess Is Adored by the Prince of the Neighbor Kingdom:**
######OP: 愛のファンファーレ by 高垣彩陽/Ayahi Takagaki ft. 城田優/Yu Shirota - 4/5
The show itself is straightforward fluff to a fault, but this OP leans onto the fluff with a energetic duet that never fails to make me smile. The animation keeps up with the pace as you are assaulted by happiness, cookies, and sparkles. I never skipped this sequence even though I ended up dropping the show, very fun.
######ED: 魔法の音 by 高垣彩陽/Ayahi Takagaki ft. 城田優/Yu Shirota - 3/5
What? You think you can just have the two from the OP do a ballad duet and win me over the same way? You got close, but the visuals are much more restrained and basically show you stuff you'll see in the show five times beforehand. Man look down and say word, woman look up and feel feeling, love. Still, I'm a sucker for that kind of thing and feel the OP/ED are so strong you could just watch them once a week instead of the show they border.
**SHIBOYUGI: Playing Death Games to Put Food on the Table**
######OP: ¬Ersterbend by LIN - 3/5
Much like the show, you can meditate on the imagery of the opening and wonder why this POV puts itself in danger as the escalating backing track transports you to a "deranged world" or you can feel relief as you finally get hit by a car and don't have to be bored anymore. I think both are valid, but I lean more toward the mediation and enjoy this non-standard experience.
######ED: 祈り by 藤川千愛/Chiai Fujikawa - 4/5
I'm more used to Chiai Fujikawa's higher energy mode after Shield Hero Season 3's ED, but this airy vocal style somehow hits me just as hard. The visuals give some abstract meat for the pondering that has more to savor compared to the opening, so it's a winner in my book.
**The Invisible Man and His Soon-to-Be Wife:**
######OP: Ding-dong by 阿部真央/Mao Abe - 5/5
If I was actually giving ratings higher than a 5, this would be a 7. I am absolutely delighted by this entire experience and will prepare for a physical altercation if someone tries to tell me it's a 4/5 or less. A show bursting with kindness, love, and acceptance gets an incredible introduction every week that I'll never forget.
######ED: 星眼鏡 by 石原夏織/Kaori Ishihara - 2/5
The first 2/3rds of this ED are solid enough by having black and white get filled in with color as more people enter the workplace and then having some fun with people standing behind an invisible man for different effects, but the slow pan on whatever character appears that week followed by the two leads just... bobbing? Feels like we ran out of ideas.
#Darn Good 3.0s
**Dead Account:**
######OP: デッドエンド by 五十嵐ハル/Haru Igurashi - 3/5
It's appropriate for a show that curbs heavily from the Bleach/Naruto bucket that the opening feels right out of that era. A fun guitar lick bookends a perfectly solid introduction that shows the cast, what they can do, and a bit of the threat while accenting the in-between stuff with thematically and mechanically relevant social media imagery. A very high 3.
######ED: 来世はどうせ by 金子みゆ/Miyu Kaneko - 3/5
Bright colors and a heavier focus on the digital aspect of the premise make a tight framing device for the show's mascot character. I need to applaud how this ending manages to promote the mascot, give focus to the female members of the cast, and somehow squeeze in enough time for a TikTok dance. The music even provides proper backing for all the functions, pretty cool even if the whole thing comes off as a bit ADHD to my raisin of a brain.
**In The Clear Moonlit Dusk:**
######OP: うるわし by UNISON SQUARE GARDEN - 3/5
I really, really like this song. An excellent hook that doesn't waste the fact that it catches your ear and the lyrics I looked up have a playful bend to the romantic appeal that seems appropriate for Kohaku. The visuals display the leads' dynamic by showing the two on opposite phases of the moon, having vastly different mornings, and still meeting in the middle with a coincidental heart. There's some dessert imagery that's lost on me beyond Yoi liking sweets and the rest of the cast is shown off briefly in the soft pastels of the entire sequence. Solid and functional.
######ED: アザレアの風 by UNISON SQUARE GARDEN - 3/5
While the opening sequence gives off an impression of a playful flirtation, this ending from the same band is more reserved and shifts the perspective to Yoi making an effort to reach Kohaku. The moon imagery and connection point from the OP make a return, completing a nice package with strong intentionality.
**An Adventurer's Daily Grind at Age 29:**
######OP: 君が灯してくれた光を今 by HoneyWorks ft. Hanon - 3/5
Fits the show perfectly by being 60% kids + community, 37% Hajime + his past, and 3% borderline imagery that makes you think the show with a small child that transforms into an adult woman at night while sharing the same bed as a non-related adult man could go in a direction. It won't, but it certainly makes you aware of the line not being crossed by breakdancing right next to it.
######ED: 君の隣は空気が美味しい by HoneyWorks ft. Kotoha - 3/5
Wow, this is cute as hell. Rirui playing with the bird is adorable and almost tricked me into thinking this was more than still images and some walking.
**A Gentle Noble's Vacation Recommendation:**
######OP: Gypso by 牧島輝/Hikaru Makishima - 4/5
This OP just might be BL. I'm not sure if it's the near absence of female characters, the casual closeness between men, or this song being grateful for the time they spent with one another, but I'm definitely getting a signal. Check out the artist's YouTube for a full version playing over a montage of friendly moments between Lizel and Gil.
######ED: うっすら by 直田姫奈/Hina Suguta - 2/5
This slideshow has some really nice slides, but that's about it. The music fits a gentle SoL vibe, in a way that would fit almost any offering in the genre. The ending art from various artists is always a pleasure even if I don't count that as part of the ED when it comes to rating.
#Average 2.5s
**Isekai Office Worker: The Other World's Books Depend on the Bean Counter**
######OP: Magic by kobore - 3/5
Writing this after only four episodes means that I see this opening as something at odds with the main production. The relationship in the show is being stoked by a contrived "have sex or die" mechanic that makes me laugh more than swoon. Still, I'm sure the show will embody the positives on display eventually and I don't have any problems with the OP in a vacuum.
######ED: Back to Back by MORISAKI WIN - 2/5
Cute, romantic slideshow with a sprinkle of stardust. Feels like the romance anime equivalent to the shonen "characters walking" format. It works even if I struggle to attach the song to the early relationship dynamic in the show. I wonder if I'd rate this higher near the end of the season.
**You Can't Be In a Rom-Com with Your Childhood Friends!:**
######OP: あいらびゅ♡ by HoneyWorks and Cast Ensemble - 3/5
Just in case the show itself didn't make it clear, the girls are cute and if you're here for anything other than that, you're a liar. Not the most exciting TikTok dance bait I've ever seen, it's alright.
######ED: あまのじゃく by 小玉ひかり/Hikari Codama - 2/5
Hey, c'mon. This show has some dramatic range, right? Forget about the MC internally screaming while two of the girls rub their asses into his thighs, look how they long for the moon or whatever. Great song, but you're not tricking me!
**The Demon King's Daughter is Too Kind!!:**
######OP: We Can Do!! by 石原夏織/Kaori Ishihara - 3/5
Oh my God, that's cute. That's cute as heck. The walking animation near the start looks a little awkward, but once Kaori Ishihara starts making sound effects in the song I lose all ability to reason. Say "yay!"
######ED: いっこにこにこ by Cast Ensemble - 2/5
Jahy's VA does a fine job, but this ED lacks the impact of the OP and clearly had less to work with when it came to the visuals.
**Champignon Witch:**
######OP: 魔法使いの日記 by ロス/Rosu - 2/5
These vocals are absolutely fantastic and capture the tragic fairy tale vibes that the show likes to punch you with. Although, a gorgeous CG environment utilizing strong contrast isn't enough to convince me that a whole lot is going on here. Very striking on first impression, loses its luster on repeated viewings.
######ED: 君は by Ms.OOJA - 3/5
Very similar to the opening in terms of aesthetic and direction! This sequence features some animated characters emoting a bit more and it pushes the rating up in my book since it consistently gets my eyes misty.
**The Holy Grail of Eris:**
######OP: Happy Ever After by 鷲尾伶菜/Reina Washio ft. 由薫/YU-KA - 3/5
There is some clever stuff going on here with how they show off the Constance/Scarlett dynamic and these CG environments they lean heavily on are actually lit in a way that doesn't make them pop out of the screen like a royalty-free horse asset. It's just a bit too much "camera moving around a CG environment" and not enough 2D animation for my taste. My strongest memories of the opening are the first 20 seconds and then a lot of well-rendered bricks.
######ED: カメリア by 田村ゆかり/Yukari Tamura - 2/5
The puppet metaphor is fine and this ED is a puppet until it isn't. Got it, nice vocals.
#Getting It Done 2.0s
**Scum of the Brave:**
######OP: GUN POWDER by TOOBOE - 2/5
A case of a strong song being held back by a dull animation sequence. They've got this energetic track with one hell of a hook that plays over characters swinging swords at Orange Hi-C dispensing CG models, plus characters standing in a group with swords. There's even a bit at the end where it looks like mouth flapping from random dialogue scenes in the show, nice.
######ED: メンタルレンタル by 紫今/Ima Murasaki - 2/5
Another catchy song backed up with average at best presentation. The chibi characters animated simply to the beat are satisfying, but the only thing I'm remembering about this is the song. Another earworm that I should get on a playlist. The gallery of alternate outfits for Jougamine is fun.
**A Misanthrope Teaches a Class for Demi-Humans:**
######OP: ニンゲン by オーイシマサヨシ - 2/5
I love hearing Masayoshi Oishi's voice ever since Nozaki-kun's OP and ニンゲン does not disappoint as a standalone offering, even if I'm not huge on the click track rap breakdown stuff. Sadly, this is a mostly functional opening that accomplishes setting the tone range for the show and just showing off the cast ensemble like four times in a row. The first 15 seconds really makes you think the whole is going to be fucking awesome, though.
######ED: 人間カムトゥルー！ by a Cast Ensemble - 2/5
I don't like these kinds of sequences. High energy music with a buncha notes firing off while all the VAs sing together in their cartoon voices. It's sounded like a mess to me for decades and I feel like I'd have to put a tremendous effort into actually engaging with the genre beyond my immediate aversion. Pairing that style with a bunch of still images being waved around or panned by and I'm super done. Still a 2/5 since it all fits together functionally and the effort is there.
**Easygoing Territory Defense by the Optimistic Lord: Production Magic Turns a Nameless Village into the Strongest Fortified City**
######OP: おきらくぜ～しょん by 中島怜/Rei Nakashima - 3/5
10 seconds is enough to put an earworm into my brain so strong I feel like I'm losing my motor functions. Definitely held back by the visuals not having a lot to do beyond being creative with stills, but the tone of the show is set perfectly. If you take anything seriously or get worried about a character, remember how the episode started. Rei Nakashima also did GA-TAN GO-TON for Train to the End of the World, she's clearly got an ear for the undeniably catchy.
######ED: Make It by 大渕野々花/Nonoka Oobuchi - 1/5
It's just karaoke with a hook that sounds like when a kid's show uses the melody from a song that was popular decades ago.
**ROLL OVER AND DIE:**
######OP: Liberator by Passcode - 3/5
Love the concepts of this OP. The lesbian body horror banishment story where the antagonistic force spirals flesh a la Uzumaki gets a guy growling the onomatopoeia for spinning while text also spins, nice. There's also the death mask visuals, Flum pulling Milkit out of the dark after Milkit is the only light Flum sees, and lots of running zombies. It's fun and definitely done on a budget.
######ED: I need by 田中有紀/Yuki Tanaka - 1/5
I like the hopeful build of the song, but this two-picture story where the second picture slowly gains people is like turning in an essay that's just your name at the top of blank paper so you get minimum credit.
**Kaya-chan isn't Scary:**
######OP: まぼろしの行方 by ヰ世界情緒/Isekaijoucho - 2/5
I don't think these visuals are able to keep up with this song except for a bit of the action segments in the back half. Feels like my brain is filled with audio static while pretty normal imagery goes by. That contrast sort of ties into the show's main dynamic, but I'm stretching with some charitability there.
######ED: Playmour by 朔雀/SAK & 導凰/TAO ft. カヤちゃん/Kaya-chan - 2/5
I genuinely love hearing Kaya-chan herself join in on this spooky earworm-filled track. These visuals aren't doing much to enhance the experience, unfortunately.
**Hana-Kimi:**
######OP: アドレナ by YOASOBI - 2/5
Is it just me or could you put a ton of different songs over this walking POV and have it fit just the same? I don't see connective tissue that creates an identity, it technically fits together and that's all I can say about it.
######ED: BABY by YOASOBI - 2/5
After the OP, I was pretty curious how Mizuki looks from the outside when she walks or stays perfectly still. This is another one that feels like music and visuals stapled together to make a functional package without much else going on.
#Ehhhh 1.5s
**Reincarnated as a Dragon:**
######OP: Gliding Claw by Sizuk - 2/5
This is one of those that makes you ready to watch generic slop. A song about getting stronger, being able to protect someone, reaching out a hand, etc. Put that behind some bland CG with a few shots of a girl looking worried and you've got an, at best, 6/10 show that lets you know it's coming.
######ED: Sky Clipper by 導凰/TAO & 朔雀/SAK - 1/5
Silhouettes running anyone? I like the song by itself, but it sounds like a repurposed rhythm game track. This is basically credits on a black screen.
**Kunon the Sorcerer Can See:**
######OP: ラケナリアの夢 by ヰ世界情緒/Isekaijoucho - 1/5
I don't understand how this frantic, desperate song fits the mostly comedic show that follows. The visuals swing between fitting either the music or the show in a way that feels discordant. Looking up the lyrics didn't help and I can only view at this as a generic sequence slapped onto a show with the idea that Fantasy Magic Anime needs a song about moving forward and improving despite obstacles. Kinda cool to see a VTuber doing this sort of thing, she handles Kaya-chan's OP this season as well. I'm probably just ignorant to how many VTubers are in the anime industry at this point, I'm sure it's more than I'd expect.
######ED: Story by KOHTA YAMAMOTO ft. katagiri - 2/5
Still images and a gentle tune summarizing the early plot of the show ain't much, but at least this ED is a cohesive package that works a bit better as the final thing you see.
**Jack-of-All-Trades, Party of None:**
######OP: シルベ by 常闇トワ/Towa Tokoyami - 2/5
I do get a chuckle out of the text going, "SUPPORTER CONVERT ATTACKER." Studios gotta watch out for those huge spoilers to the overseas audience. Despite a little bit of fluid animation and thematic imagery, this whole thing screams "generic" for me and I retain nothing.
######ED: sukuu by Nowlu - 1/5
Stuck On You is quite possibly, one of my favorite anime opening songs of all time. Sadly, this Nowlu song feels wasted and isn't supported at all by a slideshow or CG Orhun walking through empty areas. At least the lyrics tie into Orhun's not-that-great character arc. Strong recommendation to listen to the full track because the back half they didn't use is fantastic. Also, just listen to Nowlu's entire catalog, she's rad.
**Noble Reincarnation: Born Blessed, So I'll Obtain Ultimate Power**
######OP: Break Off by SUPER★DRAGON - 2/5
You better get the fuck up out of your seat and brace yourself for a show that doesn't feel anything like this opening. They should have included some scenes of the MC buying land instead. The OP has some style and I like the attitude of the song, so that helps.
######ED: You'll Be In My Heart～そばに～ by Azusa Tachibana - 1/5
Wow, this medieval magic kingdom's music scene sure is contemporary. It's a crazy move to try and sell this as an in-universe performance and I'm not buying it. It's also boring as heck and loses a lot of impact when you realize the MC bankrolls the girl and she looks at him like a hero or something.
#Always Skipping 1.0s
**There Was a Cute Girl in the Hero's Party, So I Tried Confessing to Her:**
######OP: Lavish!! by 吉乃/Yoshino - 1/5
I'm not sure if having the BPM of a song be 20x the FPS of the animation is working for me. The show is mostly matching up couples and solving interpersonal issues with mild comedic musings, so nothing I'm seeing here is meshing that well.
######ED: キミ攻略ゲーム by 大宮陽和/Hiyori Omiya - 1/5
Look at the girl, isn't she cute? Here's the guy being silly, lol. Look at the girl again! So cute! Let's pose them together romantically without having them make eye contact to put a clunky-ass bow on this clunky-ass show.
**HELL MODE: The Hardcore Gamer Dominates in Another World with Garbage Balancing**
######OP: ハク by あたらよ/Atarayo - 1/5
You can't just put the D-tier CG models in the opening sequence like that. You're supposed to draw the monsters good and then pull the rug out during the show once the audience is invested! I don't know, this would be great if the show was about a plucky kid rising above the challenges of society through determination and family values. The fact that he's 35 makes me think of a middle-aged guy replacing Allen in every shot and I feel put off. Like, imagine a Pokemon opening where you replace Ash Ketchum with a 40-year-old, it ain't right. Also, Great Cleric reference, cool.
######ED: Sanctuary by 花耶/Kaya - 1/5
Kaya's gorgeous voice is awesome, go listen to the full version on YouTube. This ED is just people sleeping and it makes me wish I was unconscious as well.
**The Daily Life of a Part-Time Torturer:**
######OP: GO GO PARADISE!! by GRANRODEO - 1/5
Come on, man. 30 seconds of random dialogue scenes after trying to make these characters look cool in a couple ways? This song rips and I wish it was attached to something else.
######ED: 明日天気になぁれ by 寺島拓篤/Takuma Terashima - 1/5
Is this a shoe commercial?
Commentaires
some talented people who have passion for the story understood their assignment